How Atmosphere, Suspense, and Foreshadowing can make the difference
I’m a sucker for a scary book. Or a scary scene. Or a particularly chilling snippet of dialogue. Something about it gives me chills of pure delight. When reading we pick up on these notes in a very unconscious way. There are where they’re supposed to be. That is – in the background not unlike the stage props on a Broadway stage. I know I know, when it comes to writing a lot of us learn unconsciously through reading but when you know the mechanics behind what you’re doing it means you get to twist things in new ways instead of relying on all that intuitive learning that lead us to mimic the greats. So, in honor of the season of horror, I want to talk about atmosphere, suspense, and foreshadowing, and how they can make your prose spine-chilling but just too delicious to put down. Let’s look at atmosphere first. This comes across mostly in setting the scene at the beginning of chapters and it’s all about word choice, and consistency. I think it tends to be the most intuitive of